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The Social History of Smoking

George Latimer Apperson

Chapter 3:

Musicke, tobacco, sacke and sleepe,
The tide of sorrow backward keep.

An ingenious lover of his pipe declared ironically in the same year that he had found three bad qualities in tobacco, for it made a man a thief (which meant danger), a good fellow (which meant cost), and a niggard ("the name of which is hateful"). "It makes him a theefe," he continued "for he will steale it from his father; a good fellow, for he will give the smoake to a beggar; a niggard, for he will not part with his box to an Emperor!" A character in one of Chapman's plays, 1606, calls tobacco "the gentleman's saint and the soldier's idol." A little-known bard of 1630—Barten Holiday—wrote a poem of eight stanzas with chorus to each in praise of tobacco, in which he showed with a touch of burlesque that the herb was a musician, a lawyer, a physician, a traveller, a critic, an ignis fatuus, and a whiffler, i.e. a braggart. The first verse may suffice as a specimen:

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The Social History of Smoking

George Latimer Apperson

Chapter 4:

On weekdays many New England Puritans probably smoked as their friends in old England did. A contemporary painting of a group of Puritan divines over the mantelpiece of Parson Lowell, of Newbury, shows them well provided with punch-bowl and drinking-cups, tobacco and pipes. One parson, the Rev. Mr. Bradstreet, of the First Church of Charlestown, was very unconventional in his attire. He seldom wore a coat, "but generally appeared in a plaid gown, and was always seen with a pipe in his mouth." John Eliot, the noble preacher and missionary to the Indians, warmly denounced both the wearing of wigs and the smoking of tobacco. But his denunciations were ineffectual in both matters—heads continued to be adorned with curls of foreign growth, and pipe-smoke continued to ascend.

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